digital art linkswell 2017 2018

digital art linkswell 2017 2018

For non-Bose systems, pair your T-style with one of the NEW Linkswell 4-channel or 5-channel Smart Bluetooth amplifiers with plug & play T-harness for even more savings!

NOTE: DUE TO PRICING DISPLAY RESTRICTIONS, ACCESSORIES DISPLAYED BELOW WILL HAVE AVAILABLE DISCOUNTS APPLIED IN THE CART – PLEASE ADD TO CART TO SEE FINAL PRICING

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The Linkswell GEN5 T-Style multimedia center replaces the factory display screen and climate control center in select Chevrolet & GMC pickups, enhancing the dash with a 12.1-inch, multi-touch panel encased in a factory-match bezel. The climate controls are recreated on-screen, allowing the driver to access all related features.

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The Android™-powered multimedia center is optimized to display relevant information with minimal distraction. Google Maps is pre-installed, and your choice of Android navigation apps (such as Waze) can be installed to give you live updates while driving (

). In addition to using the T-Style’s built-in AM/FM tuner, drivers can utilize the factory USB port to connect smartphones, and an additional USB connector for flash media. Bluetooth® connectivity enables hands-free phone calls and wireless music streaming.

Satellite radio is finally an option with the GEN5! By adding an outboard SXV300 satellite tuner and updating the radio with soon to be released firmware, you will now be able to retain satellite radio without having to resort to using the SXM app!

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With the SPDIF (optical) output, the GEN5 can function as a state-of-the-art head unit, with the addition of aftermarket amplifiers that accept this ultra-clean signal.

) capability allows you to enjoy a seamless experience using the power of your smartphone for additional features of each system, while the optional DVR camera functions as a “dash cam” and enables recording and playback of all of your trips (

By connecting the Linkswell GEN5 T-Style to a mobile or smartphone Wi-Fi hotspot, you can access the Internet through a browser that displays full web pages with multiple tabs and search capability. You can also use your subscription-based streaming services — Pandora® Internet Radio, Spotify® and more — by downloading the Android-compatible apps onto the unit’s 64GB of internal storage.

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For safety, the Linkswell GEN5 T-Style has three dedicated camera inputs for optional front, rear and passenger-side camera views. The reverse camera switches when the vehicle shifts into reverse gear, the right side camera when the right turn signal is applied, and the front camera is manually operated.

Fits vehicles with Bose & non-Bose systems. Vehicles with Bose audio systems (RPO code UQA) will require the use of the Bose adapter, available at additional cost.

Note: The list above is what is known regarding integration with factory features and options. Some combinations of factory options may not have been tested in the development of this unit, and may not be supported.

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If your vehicle has an option or feature that is not shown, please call before purchase to confirm whether or not it is supported. 

We’ve had a ton of experience with the T-Style radios and have gathered our knowledge together in this FAQ that hopefully will answer a lot of your questions regarding the features, operation, installation and troubleshooting of the system. We highly recommend reading through this whole section both before your purchase and prior to installation so you can gain a better understanding of the capabilities of the unit, the idiosyncrasies of the various installations and some tips and tricks that will help your install and setup of the system go much smoother.

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We will be adding to this section as time goes on, and are happy to take feedback from owners in order to make this FAQ as definitieve as possible. Feel free to contact us with your feedback on our Contact Form.

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Tools & Parts Required: Plastic trim tool, 7mm socket, 10mm socket, T-15 Torx driver, Phillips screwdriver, needle-nose pliers or pick tool (

For any type of advanced electronics, professional installation is always advised, but most owners are capable of doing the installation themselves if you own some basic hand tools and a spare few hours to dedicate to the installation. If you need any help or guidance, feel free to call us at 253-297-4570 – we’d rather answer your questions in advance than to have you make a mistake because you didn’t understand any of the instructions or installation steps.

Installation of the GEN5 T-Style radio in the Silverado and Sierra is very straightforward and relatively easy, as it is completely plug and play. We rate this install as about 2 on a 10 scale of difficulty, and should take most owners 2-3 hours to install, depending on your level of ability and which factory system your truck came with. We

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Prior to installation, determine which factory radio is present in your truck in order to determine which main harness to use. On 2014-2017 trucks, this can be done by looking at the RPO Code plate in the upper glove box. On 2018-2019 trucks, you will need to scan the QR code at the rear of the driver doorjamb.

When installing the GEN5 GM radio into a truck equipped with the base audio “IO3″ system with the 4” display and factory backup camera, you may not have the HMI module in place behind the glove box, which means the included factory camera adapter harness will not work. On this version of the factory audio system, the camera is routed into the GRAY plug at the radio module instead of the HMI module.

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To connect the factory camera to the GEN5 radio will require a standard M-M RCA cable that we will cut in half, giving us a bare end that will be spliced into to the factory wires and a male RCA end that will plug into the “Backup Camera” input on the GEN5 harness.

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Because the GEN5 T-Style radio has a dedicated USB input for Android Auto and Car Play, we highly recommend that you read the information on the “USB CONNECTIONS” tab so you are aware of how the USB inputs need to be configured (

The GEN5 T-Style radio comes with multiple additional accessory plugs that may or may not be required for your installation. The image below shows the proper locations for all of the accessory plugs.

Even though these plugs are keyed to help locate them into the proper ports, it is possible to plug some of them in incorrectly. NOTE:

My First Attempts At Digital Art On A Wacom

It is extremely important that all plugs are plugged into the proper ports in order for all accessories to operate properly! Damage to accessories or to the radio may result from improperly located accessory plugs! 

We highly recommend that you plug in ALL of the plugs to the their proper ports even if you are not using them in order to not lose them – for instance, if you ever decide to add amplifiers to your system, you will need the RCA output harness. If that plug is plugged in already, you can’t lose it in the garage somewhere… :- )

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In vehicles that have Bose and the factory rear DVD system installed, replacing the factory radio with the GEN5 is possible, but the rear DVD will be disabled due to the DVD player having to be removed, rendering the rear screen inoperative. If the trade-off of losing the rear screen is worth the additional features of the GEN5, there is one slight modification necessary to maintain audio when using the factory Bose amplifier.

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On the BLACK 12-pin plug that is unplugged from the back of the factory CD/DVD player, identify the (2) WHITE/GREEN wires (PINS 3&5) and the (2) GRAY/VIOLET wires (PINS 4&6). The two WHITE/GREEN wires will need to be connected together and the two GRAY/VIOLET wires need to be connected together as shown below. (NOTE: the jumper wires shown below at right are included in the “IOB” cable bag)

When the jumper wires are in place and the system is tested for audio, be sure to securely tape and/or zip-tie the jumper wires in place securely so they cannot be pulled out.

We cannot suggest strongly enough that before you place the radio back in the dashboard and screw it in, test every function first! Almost all tech phone calls we get regarding non-working functions (

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) are due to not plugging the connectors into the proper ports or checking to make sure they are snapped in tight. You will save yourself time, effort and possible damage to the radio or the dashboard by simply testing all functions prior to bolting it in – that way you don’t have to pull it out again multiple times to fix the problems.

Any vehicle settings that need to be changed can be done from the “VEHICLE” icon on the home screen. If your truck has the built-in factory hotspot, the password for it can be retrieved by pressing the “OnStar” button on the mirror to bring up the OnStar info screen.

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Once you have completed the installation, there are some setup steps that need to be completed that allow the radio to communicate properly with your HVAC controls and to modify the clock settings in the Android settings to maintain proper time display. Follow the steps below to set up those systems.

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NOTE: The

digital art videos para principiantes en espanol gratis

digital art videos para principiantes en espanol gratis

Watch Erika create a fully-rendered illustration from scratch and follow along as she walks you through her process step-by-step, teaching essential techniques along the way.

Erika Wiseman (aka Erika the Goober) is a freelance artist specializing in digital illustration. She has a Bachelor’s in Fine Arts from the University of Louisville. Erika has been creating art for over 13 years, during which time she made a name for herself on Instagram. 

Course) Digital Drawing In Procreate For Beginners - Digital Art Videos Para Principiantes En Espanol Gratis

When Erika was entering the world of illustration, there were no comprehensive guides available on the subject of digital art. This course was specifically created to teach you the things she wished she knew back then, enabling you to start your journey on the right foot.

Digital Drawing For Beginners: An Introduction To The Tools

Packed into these video lessons are the most helpful principles and tips that Erika gathered from her years of experience as a digital artist. You will learn the foundational skills essential for beginner artists as well as useful techniques to up your game if you are at an intermediate level … and a lot of other cool stuff thrown in!

Erika demonstrates digital painting techniques using the Procreate app on an iPad Pro, however the general rules apply to other digital painting software, such as Photoshop.

In this video, you’ll get an overview of what’s in store for you in this exciting course. Also, have a peek at the artist at work while you’re at it. There’s a lot to look forward to!

Proyectos De Acuarela + Rotulador Negro / Doodles En Acuarela.

Welcome to lesson 1! In this lesson, Erika will be guiding you through the basics of using Procreate, including the materials you’ll need, navigating the gallery, setting up a new canvas, and getting comfortable with the interface.

A good workspace is an important factor in the illustration process, saving you valuable time and making the experience that much more enjoyable.

This lesson focuses on Procreate’s settings, gestures, and shortcuts that’ll make your workflow smooth and easy. Discover the world of brushes and even Erika’s personal favorites, which she uses all the time in her artwork.

Course) Digital Drawing In Procreate For Beginners

Now for the fun part: putting pen to paper (or screen, in this case) and finally starting the sketch! Erika will be working on a cute character portrait throughout this course. Follow along using the sketch file provided with this lesson (Photoshop & Procreate formats) or create your own sketch.

She will guide you step-by-step in creating a rough sketch, using tools to make easy adjustments and refining the artwork with clean lines. Also, you’ll learn a unique technique to keep your lines more lively!

Working with digital color can be intimidating, especially since the color possibilities are virtually endless! But not to worry, Erika covers the basics of choosing your colors and demonstrates a easy method to quickly change the colors of your illustration.

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You will learn the difference between Hue, Saturation and Brightness, why flat colors are so essential and how to use Clipping Masks and Alpha Locks to stay within the lines.

Probably the funnest clean-up ever! Erika admits that it’s her favorite step in the entire illustration process — curious yet? 🙂 Find out the exact techniques she uses in this video.

At this stage, you can look forward to a lot of painting and blending, making your illustrations smooth and clean for the next step.

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Layer Blending Modes can help you quickly achieve effects that would take much longer when painting traditionally. Discover how easy they are to use, especially for adding lighting to an illustration.

You will get familiar with lighting  concepts, such as the location of the light source, highlight and shadow colors and thinking in 3D shapes. Erika also demonstrates how to add special effects such as glows and rim lights.

In this final tutorial, Erika will show you how to adjust the contrast using Curves and balance out the color tones using the Color Balance tool. Additionally, you’ll find out how to create those extra touches, by adding soft blur effects and interesting texture to your finished piece. Finally, learn how to flatten layers if they become too complex.

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The level is determined by a majority opinion of students who have reviewed this class. The teacher's recommendation is shown until at least 5 student responses are collected.

Wooooow this course was so good! I honestly planned on skipping over some of the beginning videos because I use procreate all time time- but I'm glad I didn't because there were some things Erika uses in her workflow that I never considered using (like liquify). After the basics she goes through he

R entire illustration process and I really fell in love with the way she chooses gesture over lineart. Overall such a fun and great course. 10/10 recommend.

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I learned a lot about it. especially about coloring and clipping mask. Everything is really well explained and understandable. not too fast and not too slow. never thought the course would be so insightful. thanks

After I purchased my iPad and the Procreate I struggled a bit to find a course like this: starting with the sketching and going through the whole process and ending with rendering. I am a beginner at drawing and I just decided to learn also drawing digital. Erika is just lovely and she made this cou

Rse so easy to understand yet full of informations, I am grateful! I do recommend to anyone who wants to have a better understanding with Procreate and layers, coloring, rendering, lighting. <3

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I learned so much from Erica. I have watched the course twice. I have been using the techniques. Can't recommend this course enough.

It was very inspiring and helped me understand her complete painting process (which is just amazing). I will recommend it to everyone :D

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I'm 35yo and I've always wanted to get into digital drawing, I even have an older brother who is a 3D artist in the film industry, yet I have never been able to use this technology since it all seemed so overwhelming. This course is incredible! it was exactly what I have been looking for, step by

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Step tutorials with clear instructions, each lesson is short and to the point. I can now create my own drawings from scratch on my iPad (I didn't even use procreate) and I am forever grateful!

Great to see a drawing from sketch to final product completely in Procreate. Erika describes the most common tools, gestures, and provides effective ways to deal with layers. The course should be recommended for anyone struggling to make the switch from traditional to digital art.

I have just started using procreate and this lesson helped me lot with the step by step process and the different techniques that I will be able to apply to all of my illustrations in future.Thank you for this great lesson!

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Erika Wiseman (aka Erika the Goober) is a freelance illustrator and character designer who lives in the US. She loves drawing cute, colorful things and experimenting with new drawing techniques.

21 Draw is an online learning community where students of all skill levels can learn how to be a better artist. Our contributing artists and instructors are the best in the world.

Our streaming platform on makes it possible for anyone to watch hundreds of video lessons by industry legends who have worked for Disney, Marvel, DC, Dreamworks, Pixar & more. A membership gives full access to our streaming platform.

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On books. you can buy our popular learn-to-draw ebooks and physical books, separate from the courses, and they too are also delivered to you by the heavyweights of the art industry.

 - Digital Art Videos Para Principiantes En Espanol Gratis

Each class includes 10-20 video lessons that are 7 minutes long on average. Most classes include exercise sheets, assignments, and layered PSD or PNG files.

Some classes include the ability to chat with the instructor in a public forum, e.g. if you want feedback on your artwork.

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Yes! When you complete a 21 Draw course, you will receive a certificate of completion, which you can download and share with your friends, relatives, co-workers, and potential employers!

21 Draw courses are on-demand (pre-recorded) video tutorials that you can watch online with any digital devices anytime and for an unlimited number of times! This means you can easily watch (and rewatch) them at your own pace and convenience.

We have classes for all levels, even for those with zero drawing experience. In general, artists at all levels can benefit from these courses—whether beginner, intermediate or advanced.

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Many lessons in our courses apply to both digital and traditional art. In a few tutorials, digital drawing software, e.g. Photoshop or Procreate for iPad is required. However, for the majority of lessons it is more about the underlying concepts and all that is needed is a pen and paper.

You can download the course resources (exercise sheets, assignments, PSD files, etc.) from the site, but you cannot download the video lessons to your computer.

Normally it costs $275/year. However, there is a special sale running now for a limited time: Save 75%! This means you can get an annual membership for just $69 USD/year.

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If you purchase the annual or monthly membership at a discounted price, it will remain at that price for each consecutive year/month, so long as your membership is not cancelled.

If for any reason

what canvas size to use for digital artwork archive pdf24

what canvas size to use for digital artwork archive pdf24

It’s easy to walk into an art store, see a canvas that will fit on that empty spot of the wall and know it’s the canvas you need. But, what about digital art? The canvas looks like it’s the size of my screen, whether it’s small or large. It’s so easy to choose the wrong sizing and make a mistake. So, the question is, what’s a good canvas size for digital art?

For printed work, your digital art canvas should be the same size as your desired final print. Use an inch to pixel converter to find your dimensions in pixels. The size of your canvas designed for the web depends on the platform you plan to display it on. The DPI of your canvas should be at least 150 for web work and 300 for print work.

 - What Canvas Size To Use For Digital Artwork Archive Pdf24

If you plan to print your work, it really is as simple as choosing a canvas that’s the size of your desired final product. So, if you eventually want to print an 8×10 print, make your canvas 8×10.

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If I’m unsure what size I want my final print to be, I take some time and figure it out. That’s how much I care about choosing the right canvas size from the get-go.

To be fair, there have been a few times when I’ve jumped into a piece of art without knowing the exact sizing first. In those case, I aim for a larger canvas than I think I’ll need. Generally, I find it easier to scale my work down when printing, than scaling it up.

This is not always the case so, again, try to figure out your ideal canvas size ahead of time before you get started.

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Also, it’s important that you DON’T resize your canvas after you’ve created it. This can cause issues with quality, sizing, and overall results. So, again, decide on your canvas size from the get-go before you get started.

We have to think about DPI, which will change the size of your canvas, even if you’re still aiming for an 8×10 print at the end of the day.

Not to mention that it becomes more complicated when thinking about digitally displaying your work. How the heck do we know the size of Instagram posts?

Painter's Reference: A Guide To Common Art Canvas Sizes

Later in this post, we’ll talk about what you need to consider when choosing a DPI for your canvas and how it impacts its size. That said, if you couldn’t care less about how all of this works and just want a clear answer on what size canvas you should pick for your digital art, I totally get it.

Here’s a chart you can use. These dimensions are based on 300 DPI, which is generally considered to be the minimum DPI for print work. And, as we’ll talk about more in depth in the next section, choose a larger size if you’re not exactly sure what size you’ll want or need.

You’ll notice more quality loss when you scale a small image to a larger size than when you scale a large image to a smaller size. You still want to be in the ballpark, but be in the larger end of the ballpark.

Abstract Digital Painting Of Human Face, Colorful Composition In, Canvas Print

Ok, another thing that’s important to understand is DPI. It’s really easy to get confused by DPI since it seems to magically balloon your canvas size. There’s a reason for it though and it doesn’t actually impact your canvas size in the way you would think.

DPI stands for dots per inch. As the name suggests, it tells you how many dots can fit into an inch of printed work (source). So, the larger the DPI, the more dots of ink will be in each inch of your printed final product.

In general, all printed work should be a minimum of 300 DPI, but you can go higher if you plan to print posters and larger pieces of work.

Buyer's Guide To Creating The Best Canvas Prints — Mixbook Inspiration

If you change your DPI after you’ve entered in your pixels, it will change your pixel number. The reason for this is because DPI (or PPI) measures your dots per inch. So, if you increase it, your canvas will need more pixels to get the job done.

Best Canvas Size And Resolution For Digital Art - What Canvas Size To Use For Digital Artwork Archive Pdf24

As long as you know the desired size of your final product and maintain a minimum of 300 DPI, you can let your design program decide what your pixel x pixel resolution will be. As you saw in the chart above, your inch x inch size relates to a specific pixel x pixel size, so you’ll be fine as long as you know one or the other.

Pixels and inches are just two different ways to measure something. One will always translate to the other as long as the DPI remains consistent.

Printing Your Artwork: Image Size And Resolution

It’s much easier to know that you want a 8 x 10” print than a 2400 x 300 pixel canvas. As long as you have your DPI set correctly, your design program will pick the appropriate amount of pixels for the inches you need.

The reverse works as well. If you only know the pixels you need, your design program will turn it into the proper inches.

Personally, I just set my design to 300 DPI and just go with whatever number I already know. If I’m designing for the web, I use the pixels that are appropriate for a website. If I’m designing for print, I use the inches that I’ll be printing at. The rest just works itself out.

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Unless you’re designing a billboard, you probably won’t have to worry about creating a canvas so big that your design program can’t handle it. That said, it’s an important thing to keep in mind, since the maximum size for a design varies from iPad to iPad.

It’s hard to say what the max canvas sizes for varying programs are because it will depend on the DPI . In general, many programs can tolerate a certain number of pixels per design. Remember that the higher your DPI, the more pixels you’ll need. This means that you’ll get fewer inches of canvas space the higher your DPI is.

What's A Good Canvas Size For Digital Art? - What Canvas Size To Use For Digital Artwork Archive Pdf24

It’s more likely you’ll run into this issue with an iPad or tablet program because there is only so much that these small devices can support. For example, if you’re using Procreate, you might struggle to get a 24 x 36” poster size at 300 DPI.

Large Red Abstract Canvas

If you run into issues with maxing out your design program’s capacity, lower the DPI as much as you feel comfortable lowering it. While 300 DPI is recommended for print, anything above 150 DPI tends to print well. Talk with your printer and do a test print to see how low you can get your DPI while still getting the best print results.

If you plan to post your art on social media platforms, it can be good to review their image guidelines prior to deciding on your canvas size.

Choosing the right canvas size for your digital art is more complicated than walking into an art store and picking the canvas that will fill the blank spot on your wall. With some practice though, it will come easily and naturally.

How To Choose A Canvas Size In Artrage

Simply choose your DPI and then size your canvas based upon what you’ll need as a final product. Luckily, with the magic of technology, our design programs will take it from there and deliver you the digital canvas that you need.

Diana has been an artist for over 26 years and has training in drawing, painting, digital drawing and graphic design. Diana’s latest obsession is digitally drawing with Procreate and creating t-shirt designs with Canva. Diana has experience selling her art across a number of platforms and loves helping other artists learn how to make money from their art as well.

Adventures with Art is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. We also participate in other affiliate programs which compensate us for referring traffic.

 - What Canvas Size To Use For Digital Artwork Archive Pdf24

The Benefits Of Printing Digital Art On Canvas

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The technical storage or access is required to create

viage digital art theatre developmunderwater digital artemisia gentileschi paintings

viage digital art theatre developmunderwater digital artemisia gentileschi paintings

People look at the original site where the "Allegory of Inclination", top left, a 1616 work by Artemisia Gentileschi, now replaced by a photographic reproduction, before it was removed to undergo restoration, in the Casa Buonarroti Museum, in Florence, Italy, Wednesday, Nov. 9, 2022. Restorers have begun a six-month project on the "Allegory of Inclination" using modern techniques including x-rays and UV infrared research to go beneath the veils painted over the original to cover nudities and discover the work as Gentileschi painted it. (AP Photo/Andrew Medichini)

A view of the skyline of Florence, Italy, Wednesday, Nov. 9, 2022. Restorers in Florence have begun a six-month project on "Allegory of Inclination", a 1616 work by Artemisia Gentileschi, using modern techniques including x-rays and UV infrared research to go beneath the veils painted over the original painting to cover nudities and discover the work as Gentileschi painted it. (AP Photo/Andrew Medichini)

Artemisia Gentileschi's 1616 Nude To Be Digitally Unveiled - Viage Digital Art Theatre Developmunderwater Digital Artemisia Gentileschi Paintings

Restorer Elizabeth Wicks works on the "Allegory of Inclination", a 1616 work by Artemisia Gentileschi, in the Casa Buonarroti Museum, in Florence, Italy, Wednesday, Nov. 9, 2022. Restorers have begun a six-month project on the "Allegory of Inclination" using modern techniques including x-rays and UV infrared research to go beneath the veils painted over the original to cover nudities and discover the work as Gentileschi painted it. (AP Photo/Andrew Medichini)

Why A Long Awaited Artemisia Gentileschi Exhibition Is So Significant

A view of Florence's Ponte Vecchio, Italy, Wednesday, Nov. 9, 2022. Restorers in Florence have begun a six-month project on "Allegory of Inclination", a 1616 work by Artemisia Gentileschi, using modern techniques including x-rays and UV infrared research to go beneath the veils painted over the original painting to cover nudities and discover the work as Gentileschi painted it. (AP Photo/Andrew Medichini)

Restorer Elizabeth Wicks stands next to the "Allegory of Inclination", a 1616 work by Artemisia Gentileschi, during a press conference in the Casa Buonarroti Museum, in Florence, Italy, Wednesday, Nov. 9, 2022. Restorers have begun a six-month project on the "Allegory of Inclination" using modern techniques including x-rays and UV infrared research to go beneath the veils painted over the original to cover nudities and discover the work as Gentileschi painted it. (AP Photo/Andrew Medichini)

FLORENCE, Italy | Art restorers in the Italian city of Florence have begun a six-month project to clean and virtually “unveil” a long-censored nude painting by Artemisia Gentileschi, one of the most prominent women in the history of Italian art.

Artemisia Gentileschi's Life To Be Adapted Into A Series

Swirling veils and drapery were added to the “Allegory of Inclination” some 70 years after Gentileschi painted the life-size female nude, believed to be a self-portrait, in 1616.

The work to reveal the image as originally painted comes as Gentileschi’s contribution to Italian Baroque art is getting renewed attention in the #MeToo era, both for her artistic achievements but also for breaking into the male-dominated art world after being raped by one of her art teachers.

“Through her, we can talk about how important it is to restore artwork, how important it is to restore the stories of women to the forefront, ” said Linda Falcone, coordinator of the Artemisia Up Close project.

Strong And Feminine In The 17th Century — Erica Reed Lee

“Allegory of Inclination” originally was commissioned for the family home of Michelangelo Buonarroti the Younger, the great-nephew of the famed artist. The building later became the Casa Buonarotti museum, and the painting was displayed until recently on the ceiling in a gilded frame. When lead conservator Elizabeth Wick removed the painting in late September, a shower of 400-year-old dust was released.

Wick’s team of restorers is using ultraviolet light, diagnostic imaging and X-rays to differentiate Gentileschi’s brush strokes from those of the artist that covered the nudity. The public can watch the project underway at the museum through April 23.

Restorers won’t be able to remove the veils because the cover-up was done too soon after the original, raising the risk that Gentileschi’s painting would be damaged in the process.

The Naked Truth: Artemisia Gentileschi's Baroque Nude To Be Digitally Unveiled

Instead, the restoration team plans to create a digital image of the original version that will be displayed in an exhibition on the project opening in September 2023.

Gentileschi arrived in Florence shortly after the trial in Rome of her rapist, during which the then-17-year-old was forced to testify with ropes tied around her fingers that were progressively tightened in a test of her honesty.

 - Viage Digital Art Theatre Developmunderwater Digital Artemisia Gentileschi Paintings

She also had to endure a physical examination in the courtroom behind a curtain to confirm that she was no longer a virgin. Eventually, her rapist was convicted and sentenced to eight months in prison.

Artemisia Gentileschi's 1616 Nude To Be Digitally Unveiled

“Somebody else would have been crushed by this experience, ” Wick said. “But Artemisia bounces back. She comes up to Florence. She gets this wonderful commission to paint a full-length nude figure for the ceiling of Casa Buonarroti. So, I think she’s showing people, ‘This is what I can do.'”

While in Florence, Gentileschi also won commissions from the Medici family. Her distinctive, dramatic and energetic style emerged, taking inspiration from the most renowned Baroque painter of the time, Caravaggio. Many of her paintings featured female heroines, often in violent scenes and often nude.

She was 22 when she painted “Allegory of Inclination, ” which was commissioned by Michelangelo Buonarroti the Younger. Another member of the family, Leonardo Buonarroti, decided to have it embellished to protect the sensibilities of his wife and children.

Artemisia Gentileschi In Naples, The Exhibition Dedicated To The Neapolitan Period

“This is one of her first paintings. In the Florentine context, it was her debut painting, the same year she was then accepted into the Academy of Drawing, which was the first drawing academy in Europe at the time, ” Falcone said.

“She was able to hobnob with Galileo and with other great thinkers. So this almost illiterate woman was suddenly at the university level, producing works of art that were then, you know, appreciated by the Grand Duke, ” Falcone said. “And she became a courtly painter from then on.”Restorer Elizabeth Wicks works on the "Allegory of Inclination", a 1616 work by Artemisia Gentileschi, in the Casa Buonarroti Museum, in Florence, Italy, Wednesday, Nov. 9, 2022. Restorers have begun a six-month project on the "Allegory of Inclination" using modern techniques including x-rays and UV infrared research to go beneath the veils painted over the original to cover nudities and discover the work as Gentileschi painted it. (AP Photo/Andrew Medichini)

 - Viage Digital Art Theatre Developmunderwater Digital Artemisia Gentileschi Paintings

FLORENCE – Art restorers in the Italian city of Florence have begun a six-month project to clean and virtually “unveil” a long-censored nude painting by Artemisia Gentileschi, one of the most prominent women in the history of Italian art.

Artemisia Gentileschi In Naples

Swirling veils and drapery were added to the “Allegory of Inclination” some 70 years after Gentileschi painted the life-size female nude, believed to be a self-portrait, in 1616.

The work to reveal the image as originally painted comes as Gentileschi’s contribution to Italian Baroque art is getting renewed attention in the #MeToo era, both for her artistic achievements but also for breaking into the male-dominated art world after being raped by one of her art teachers.

“Through her, we can talk about how important it is to restore artwork, how important it is to restore the stories of women to the forefront, ’’ said Linda Falcone, coordinator of the Artemisia Up Close project.

Commentary: Why Is Artemisia Just Now Getting Her Due?

“Allegory of Inclination” originally was commissioned for the family home of Michelangelo Buonarroti the Younger, the great-nephew of the famed artist. The building later became the Casa Buonarotti museum, and the painting was displayed until recently on the ceiling in a gilded frame. When lead conservator Elizabeth Wick removed the painting in late September, a shower of 400-year-old dust was released.

Wick’s team of restorers is using ultraviolet light, diagnostic imaging and X-rays to differentiate Gentileschi’s brush strokes from those of the artist that covered the nudity. The public can watch the project underway at the museum through April 23.

 - Viage Digital Art Theatre Developmunderwater Digital Artemisia Gentileschi Paintings

Restorers won’t be able to remove the veils because the cover-up was done too soon after the original, raising the risk that Gentileschi’s painting would be damaged in the process.

Hypnotic And Bursting With Life': Vr Version Of Artemisia Gentileschi's Life

Instead, the restoration team plans to create a digital image of the original version that will be displayed in an exhibition on the project opening in September 2023.

Gentileschi arrived in Florence shortly after the trial in Rome of her rapist, during which the then-17-year-old was forced to testify with ropes tied around her fingers that were progressively tightened in a test of her honesty.

She also had to endure a physical examination in the courtroom behind a curtain to confirm that she was no longer a virgin. Eventually, her rapist was convicted and sentenced to eight months in prison.

Take Four—naples Exhibition Curators Attribute A New Quartet Of Works To Artemisia Gentileschi

“Somebody else would have been crushed by this experience, ’’ Wick said. “But Artemisia bounces back. She comes up to Florence. She gets this wonderful commission to paint a full-length nude figure for the ceiling of Casa Buonarroti. So, I think she’s showing people, ‘This is what I can do.’”

While in Florence, Gentileschi also won commissions from the Medici family. Her distinctive, dramatic and energetic style emerged, taking inspiration from the most renowned Baroque painter of the time, Caravaggio. Many of her paintings featured female heroines, often in violent scenes and often nude.

Why A Long Awaited Artemisia Gentileschi Exhibition Is So Significant - Viage Digital Art Theatre Developmunderwater Digital Artemisia Gentileschi Paintings

She was 22 when she painted “Allegory of Inclination, " which was commissioned by Michelangelo Buonarroti the Younger. Another member of the family,

An Exhibition Featuring Artemisia Gentileschi At The Gallerie D'italia

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To make a very funky-looking cartoon zombie I will be covering my process of taking a brief through to completion, with tips and tricks along the way including the wonder that is clipping masks. I'll also show the importance of thumbnailing, taking a rough sketch to a final creepy conclusion, line art tricks, and a smattering of colour theory.

For this illustration we will be setting up the artwork for print. We want to have an A3 size print so in the New Document Dialogue (File > New or Control-N) we set: 

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The Color Mode is set to CMYK as we will be printing this document. However, if your artwork is not for print then set the Color Mode to RGB. 

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To prevent us creating the artwork too close to the edge where it may be cut off, create a 100 pixel (px) safety zone using Guides.

Bring up the New Guide dialogue box by going to View > New Guide where we will create four guides. For each guide you will have to reopen the New Guide dialogue box.

Select the boundary with the Rectangular Marquee Tool (M) and hold down Shift to select all four sides. It can be helpful to have Snap enabled (View > Snap) and ensure Snap To > All is selected.

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Control-D to Deselect the area, then go to View > Clear Guides to remove the blue guides. I like to create a grey boundary rather than use guides, because even with snapping turned off, the brush can find itself snapping to the guides, creating undesired straight lines.

According to Wikipedia a Zombie is "an animated corpse raised by magical means, such as witchcraft.The concept has been popularly associated with the Vodou religion, but it plays no part in that faith's formal practices." 

So what does this tell us? We need to create a walking corpse! If you refer to popular culture, we have a fairly stereotypical view of zombies. Groaning animated bodies with distorted joints, moaning eerily, often with open wounds and signs of decay. Films such as Evil Dead, Shaun of the Dead, 28 Days Later and Dawn of the Dead, and games like Silent Hill, Left4Dead and Plants vs. Zombies probably form our stereotypical view of zombies.

Create A Digital Painting Of A Zombie From Scratch In Adobe Photoshop

For our zombie I have found some fantastic reference images from DeviantArt and Photodune for poses and anatomy. The area of the zombie I would need most help with would be the skull, so I waited until my thumbnail was chosen to take some reference pictures of my model skull. If you are going to be creating portraits and characters it is a great idea to get well acquainted with anatomy by studying the human form; life drawing classes are excellent for this. I find it very helpful to have a model skull on my desk, especially if I need to work out a tricky angle for a head. There are plenty of stock image sites that have turnarounds of skulls if you can't bring yourself to be greeted by a skull on your desk every day!

Here are the two brushes we will be using for this tutorial. The first is the Hard Edge Custom Brush. Here are my settings.

Thumbnailing is a great, fast way to work out a composition before you start work. Thumbnails are small squares or rectangles set up to the orientation of your document. In these you can quickly rough out poses and compositions to see which is the best use of space and which piece has the best silhouette.

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Below I have created nine portrait rectangles and roughed in a "Z" to each, as this is a central item to the piece. Then using rough, simple shapes I have made up some poses based on reference images and imagination. The three I feel are most undead have been circled in red. 

Next I isolate my favourite three to see which is the strongest. The first reminds me of a bear, and the second is good but not as awkward as the last one. Normally awkward wouldn't be what we're after but seeing as we want a disjointed walking dead dude, this is perfect. 

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I then copy the third rough with the Rectangular Marquee Tool (M) and press Control-C to Copy and Control-V to Paste into my print document. Then I scale the artwork to the document size by pressing Control-T. Note the rough sketch is of lesser quality than we would normally work at, but as this is just a rough, it will not be seen in the final document.

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Taking my rough pose, I create a New Layer (Control-Shift-N),  then take a different colour and begin roughing out the human anatomy onto the zombie pose. I start with the skull, using my own reference of a skull and refining the pose using Photodune: scary bloody zombies waiting for a prey as reference.

Then using Photodune: Anatomical Overlays with Internal Organs as reference I make sure the anatomy is approximately right to make our character believable. It can be helpful to block out large shapes for the rib cage and pelvis, and then draw in the details on a New Layer (Control-Shift-N).

Taking my model skull, I arranged it at an angle with the mouth open, and then took a few photos with my phone. I chose the best shot and saved that as reference.

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Taking the skull reference and the face of a female "zombie" I begin work on roughing out my zombie's face. To ensure I am not getting lost in details I like to have a zoomed out window of my artwork open. Window > Arrange > New Window for FILENAME.PSD. This is an identical copy of the document which I keep zoomed out. The benefit of this is that you can work on either document and it will update immediately. Good if you notice a detail you wish to change when zoomed out.

Lower the opacity of the rough sketch. I decided the lower jaw wasn't needed, and without it the zombie dude looks creepier.

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Taking the hard brush on a New Layer (Control-Shift-N),  I begin to clean up the line art, adding little details as I go such as wrinkles, pock marks, spots, dirt, dimples, tears, and holes. Creating details at this stage means less work in the colouring stage and gives the illusion of more structure than there really is. Rather than going with a traditional black I have opted for a dark purple. I have done this as I want the zombie to have some green and red tones, so purple will be a pleasant contrast and make the greens and reds look more vibrant.

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To make life easy we are going to create a solid silhouette for our zombie. We do this so we can Lock Transparency on the layer and colour quickly without going outside our lines. 

Then take a hard edge eraser to tidy up the edges of the silhouette. You can paint in the silhouette carefully by hand, but I prefer this method.

Once you have gone round the whole outline, name the layer Base by double clicking on the layer name in the Layers panel.

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Then go to Image > Image Rotation > 90° CW to make the document landscape. Select the Line Art and Base from our original artwork and drag them into the Landscape A3 Document. Create a guide line under the feet of the zombie by pressing Control-R to bring up the rulers, then using the Move Tool (V) drag a horizontal guide down from the top ruler. 

Next I select the Line Art layer and Base by clicking on the Base layer, holding Shift then clicking on the Line Art layer. Then drag both layers down to the New Layer icon (shown below) at the bottom of the layers palette. 

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This will make a direct copy of both layers and keep them in the same place. Do this once more to create another copy. Next select the Move Tool (V) and select one set of Line Art and Base. Holding Shift press the Left or Right Arrow keys to move the zombie across the document to give three identical illustrations. 

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For each Base layer select Lock Transparent Pixels in the Layers Panel. Lock Transparent Pixels means that we cannot paint outside the grey pixel silhouette. Think of this as masking off the outside of the zombie with digital tape.

To colour over the silhouettes we will be using Clipping Masks. I use these all the time as a non-destructive way of painting an element. On the layer above the silhouette, create a New Layer (Control-Shift-N) then right-click on the New Layer and select Create Clipping Mask. Anything created on this layer will only show on whatever pixels are available on the layer below.

To create Core Shadows on my illustration I will be taking the Local Colour and painting it on a Multiply Layer. For a more realistic approach you can tweak the Local Colour to have a warmer or cooler tone depending on your light source, but for this piece I wanted a cartoon style render. For Highlights and other details I will be colour picking from the MagicPicker Color Wheel and I will cover why I chose these colours.

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Take your Hard Edge Brush and start applying colours from your first palette over the zombie. You don't have to be neat with this step, it's just to give you an idea of how